I write music for games and help build them. Below are the games I've worked on and a selection of my tracks.
Making Capsule Rush was my first introduction to game development.
A third-person 3D platformer. Jump between platforms through 10 levels that go from easy to very hard, dodge moving enemies, unlock hats for your capsule and chase the fastest time on the leaderboard.
A cozy fishing game. Cast your line, explore the island and fill your bucket at your own pace.
Audio implementation · FMOD
The music is one dynamic FMOD event. Each area – village, forest, pond and beach – has its own music on its own track, all playing in sync. The game sets two parameters, Zones (where the player is) and TimeOfDay, and FMOD crossfades to the right area and switches between the day and night versions.
Click to enlarge
A fast-paced 2D top-down shooter. Dive through bullets and take down enemies in slow motion to get revenge on the mafia you used to work for.
An exploration and story game. An unreleased project that will not be published.
Featured
Composing, arranging, sound design and mixing for game soundtracks.
Interactive music and sound: states, switches, RTPCs and music transitions that follow gameplay.
Event-based adaptive audio: parameters, layered music and real-time mixing in the engine.
Building gameplay in C# and hooking up audio, from prototypes to released games.
Blueprints, level setup and audio integration in Unreal projects.
Gameplay and tools in C# for Unity, and interactive websites with JavaScript, HTML and CSS.
Original title (Swedish)Ökennivåer i spel: Vilken betydelse har instrumentering respektive skala för lyssnarens upplevelse och associationer till ökenmiljöer i spelmusik?
Game music often leans on cultural conventions to tell the player where they are. We composed four pieces that differ only in instrumentation and scale, played one piece to each of four listener groups, and surveyed how they experienced the setting, what they felt and which places it made them think of. The sample was small, so the study works as a pilot for a larger follow-up.
I'm a composer, sound engineer and game developer based in Vantaa, Finland. In 2026 I graduated from the University of Skövde with a Bachelor's degree in Game Development, specialising in music. I composed the music for Fish Isle and Windward, and on Manhattan Flatline I was both composer and in charge of the game's audio. My first game, Capsule Rush, I made entirely on my own and released on Steam. I'm curious, love learning new things and enjoy working with others. I speak Swedish and English fluently, and some Finnish. Right now I'm looking for my next opportunity in games and audio.
I'm looking for roles as a composer or sound designer in games and film – and I'm always up for joining a team for a game jam. Get in touch.